September 2, 2026
September 2, 2026

M.A.D.3 Vincent Calabrese Brings A Wandering Jump Hour To A New Generation

There are few figures in modern watchmaking quite like Vincent Calabrese. An inventor, watchmaker, provocateur and lifelong challenger of convention, Calabrese has spent more than five decades asking a deceptively simple question. What if there were another way to do it?

Now, at the age of 82, the Italian-born Swiss watchmaker has joined forces with MB&F and M.A.D.Editions for the M.A.D.3 Vincent Calabrese, a watch that brings one of his most poetic ideas, the Baladin wandering hour, into a new era.

It is a fitting collaboration. M.A.D.Editions was created to explore inventive mechanical watchmaking in a more accessible form, while Calabrese has spent a lifetime pursuing precisely that kind of creative freedom.

The result is not a nostalgic recreation of an historic watch. Instead, it is a contemporary interpretation of Calabrese’s philosophy, retaining the essential character of his wandering hours while completely reengineering the mechanism for a new generation.

The Troublemaker Of Watchmaking

Vincent Calabrese has never been particularly interested in following the conventional path. For more than fifty years he has occupied a unique position within horology, developing watches and mechanisms that challenged established thinking. He co-founded the Académie Horlogère des Créateurs Indépendants, better known as the AHCI, with Svend Andersen in 1985, helping to establish a platform for independent watchmakers at a time when independent watchmaking barely existed as a recognised concept.

His career includes the creation of the celebrated Golden Bridge for Corum, along with pioneering work on wandering hours, tourbillons and numerous unconventional mechanical systems. More than forty patents would follow. Yet Calabrese’s importance goes beyond patents and complications.

He approached watchmaking with the curiosity of an outsider. Born in Naples before moving to Switzerland as a teenager, he did not follow the conventional route into the profession. In fact, he has suggested that his lack of traditional watchmaking training gave him a certain freedom. If he did not know what he was supposed to avoid, he was perfectly happy to try it.

It became a defining characteristic of his career. Calabrese himself once described his role as “l’enquiquineur de l’horlogerie”, literally the troublemaker of watchmaking. It is an affectionate description, but an appropriate one.

A Different Way To Read Time

The inspiration for the M.A.D.3 goes back to the Baladin, Calabrese’s poetic interpretation of wandering hours. The idea was born from his dissatisfaction with the abrupt nature of a conventional jumping hour. Rather than having the hour suddenly disappear and be replaced by the next, Calabrese wanted the transition to become part of the experience of reading time.

His solution was wonderfully unconventional. The hours travel progressively across the dial while the minutes continue their normal progression. Instead of an instantaneous jump, the change becomes a slow, almost theatrical movement.

At first, the display appears mysterious. Then the eye begins to understand it. The hours wander. It is an unusually human interpretation of mechanical timekeeping. The mechanism does not simply tell us what time it is. It gives us a sense of time passing. That quality made the Baladin a natural fit for M.A.D.Editions.

From Baladin To M.A.D.3

The relationship between Maximilian Büsser and Vincent Calabrese goes back many years. There had been conversations, lunches and even attempts to collaborate before the idea of the M.A.D.3 emerged. Eventually, over lunch two years ago, the pieces fell into place.

The intention was never to reproduce the original Baladin. Instead, the challenge was to preserve the spirit of Calabrese’s invention while translating it into the distinctive world of M.A.D.Editions. That proved considerably more difficult than it might sound.

Calabrese’s original mechanisms were highly artisanal creations, developed through intuition, experimentation and an extraordinary understanding of mechanical systems. Reproducing the wandering hours mechanism reliably on a larger scale required the M.A.D.Editions technical team to rethink the system from the ground up.

The essential characteristic, however, could not be compromised. The movement of the hours had to remain fluid and progressive. Everything else could evolve around it.

Engineering The Wandering Hours

At the heart of the M.A.D.3 is a specially optimised Swiss-made La Joux-Perret G111 calibre. The base movement has been reworked with tighter tolerances and improved amplitude control, while the wandering hours module has been completely redesigned to improve energy transmission, reliability and long-term stability.

The result is a remarkably compact automatic movement beating at 4Hz and providing a 55-hour power reserve. Yet the technical achievement is almost hidden beneath the visual theatre of the watch. The hours and minutes are presented through a layered architecture, with the wandering hours module creating the hypnotic movement that defines the M.A.D.3.

A bombé minute ring crafted from sapphire adds another transparent layer to the display, while Super-LumiNova is discreetly integrated beneath transparent elements. As the light changes, so too does the character of the dial. It is a mechanical sculpture as much as a conventional wristwatch.

A Watch With Two Personalities

The 40mm stainless steel case is unmistakably M.A.D.Editions, yet it represents a slightly different direction for the collection. Designed by longtime MB&F collaborator Eric Giroud, the architecture incorporates floating lugs, layered construction and domed sapphire crystals on both sides.

The proportions remain surprisingly wearable, measuring 40mm in diameter and 12.7mm in height, with a lug-to-lug measurement of 43.7mm. Turn the watch over, however, and another surprise appears. As the rotor spins, a sentence progressively reveals itself through its openings.

“Il est assez aisé de plaire aux autres, bien plus ardu d’être fier de soi.” translates to “It is fairly easy to please others, far more difficult to be proud of oneself.” The phrase feels almost like a portrait of Calabrese.

For a man who spent much of his career pursuing his own ideas rather than seeking approval from the established industry, it is a remarkably appropriate message.

Colour With Character

The M.A.D.3 Vincent Calabrese will launch in two distinctive colourways. A deep, sunny raspberry and a powerful blue draw inspiration from colours found in Calabrese’s own creations. They are expressive without becoming frivolous, combining refinement with just enough unpredictability to reflect the character of their creator. That balance is important.

The M.A.D.Editions universe has always embraced colour and playfulness, but beneath the exuberance there is serious mechanical thinking. The M.A.D.3 continues that tradition while giving Calabrese’s work a distinctly contemporary setting.

The raspberry edition is reserved for The Tribe and Friends, while the blue edition will be made available through the M.A.D.Editions raffle. It is a continuation of the unusual access model that has become central to M.A.D.Editions.

The ‘Accidental’ Brand

M.A.D.Editions itself began almost by accident. Maximilian Büsser had long wanted to create a watch that his friends and family could afford. The original concept had existed for more than a decade before the events of 2020 provided the opportunity to bring it to life.

The result was M.A.D.1. Initially intended for MB&F’s suppliers, known as The Friends, and the collectors who had supported the company from the beginning, The Tribe, the watch was released quietly in 2021. Then the images appeared online. The reaction was extraordinary.

What had been conceived as a one-off edition suddenly became a phenomenon. M.A.D.1 RED followed in 2022, with a raffle opening the door to a much wider audience. Further editions followed, including collaborations with Jean-Charles de Castelbajac and Yinka Ilori. Then came M.A.D.2 in 2025, created by Eric Giroud.

M.A.D.3 now takes the idea in another direction altogether. Rather than simply developing another M.A.D. watch, M.A.D.Editions has once again invited an independent creative mind into its universe. This time, that mind belongs to one of the great mavericks of modern horology.

Take Your Own Path

The M.A.D.3 Vincent Calabrese is ultimately about much more than a wandering hour mechanism. It is about a philosophy. Calabrese has spent his career demonstrating that watchmaking does not have to follow a predetermined route. Complications can be reimagined. Displays can be questioned. Mechanical architecture can become a form of artistic expression.

His story has not always been straightforward. There were patents sold too early, businesses that failed and periods when projects he had created went on to make fortunes for others. Yet he continued. When circumstances forced him to start again, he responded by developing four new movements in only a few months.

There is something quintessentially Calabrese about that refusal to stop creating. Perhaps that is why the M.A.D.3 feels so appropriate. It does not attempt to place Vincent Calabrese inside a museum case. It takes his idea and lets it wander again. His advice to future generations could almost serve as the manifesto for the watch itself.

“Do not stay on the highway. Take your own path.” Vincent Calabrese

For Vincent Calabrese, that has never simply been a quotation. It has been a way of life. The M.A.D.3 is the latest expression of it.

Both versions are priced at CHF 2’900 + VAT. The pink model is reserved exclusively for MB&F Tribe members and Friends, the clients, suppliers and partners essential in bringing our creations to life, while the blue version is available through the M.A.D.Editions raffle system. Registrations open today, September 1st and close on September 7th, after which the selected winners will receive the opportunity to purchase the watch.

To enter the raffle use this link.

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